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Category Archives: metaphor

2018: Happy New Year

What does the New Year hold for you?

Ancient peoples tracked the sun and the moon, noted the seasons for planting and harvest, and lived their way into a construct for time that predates but informs our modern calendar. Drawing on a number of organizational creations, Julius Caesar implemented much of the calendar we still live today, including adding his own signature: the New Year would begin January first, the day two high officials began their year-long governing positions. More than a few since have attempted to change that start-date—to March to coincide with the spring or to September to coincide with the harvest. Through all the political tugging and pulling, Julius Caesar’s stamp on when we begin the New Year has prevailed. And so it is that we arrive at the end of one calendar year and launch the next.

And with that brand new calendar full of possibilities, it’s irrepressibly human to want to implement life-improving change.

During the holiday season my gift list took me to the Container Store. It’s one of the happiest shopping places I’ve been because each object makes a promise that if put to use under just the right circumstances, life will be more organized and thus infinitely better. It’s 19,000 square feet of countless mini-resolutions. I came home with, among other things, a magic silicone computer keyboard cleaner that helped me de-stick the keys on the left edge of my laptop where I had, alas, spilled coffee. To be honest, I came home with three of them—one for my immediate use and one each as stocking stuffers for Eighteen and Fifteen.

The reminder of that heart-stopping moment when I tipped the cup onto my computer (it was a lidded cup without much in it, a candy coffee I was treating myself to while writing) lingers in the dimmed segment of lighting behind my keyboard. I was swift in my response, inverting the computer and then racing for napkins to wipe away the spill. For a few days my computer smelled faintly of coffee, not an unwelcome fragrance for a writer, and the impacted keys were sticky. Today it’s an object lesson—my computer turns five this month, is long out of warranty, and makes it possible for me to connect with the world and earn a living. If something disables it, even if that something is me, I’m going to need a replacement immediately. Mental note for the accounting department: start a new computer fund.

And so it begins … it’s easy for the mental notes to turn into life-improving resolutions around money, health, friends, travel, employment, getting rid of stuff, cleaning and fixing the house, losing weight, getting fit, finding a boyfriend. Like the unbroken snow in the backyard or the shiny allure of just the right organizational box at the Container Store, the crisp clean calendar beckons. This is the year I might just get it all right.

Looking for the lessons of 2017, and there were many, I light on a few. I set out to study and learn a lot more about yoga, and I did, completing my 500-hour yoga teacher training and implementing a new kind of preparatory approach to my classes that has been well received. In the course of the hours spent reading, researching, and producing, the travel to trainings, and the workshops I attended and developed, I learned something in my own practice that I am still exploring. It’s a tiny adjustment in my hands in strength-requiring poses like plank (the top of a push-up) wherein I press into the floor using my hand-wrist joints like levers. I don’t yet know the full extent of the strength the maneuver allows me to access, but I know that it changes the experience of the pose in my entire body. It’s a tiny, valuable truth, and I look forward to discovering where it might lead.

I learned, too, that my beloved yoga practice, while it opens all sorts of possibilities for self-improvement and advancement (yoga really is, as my teacher Mona always says, an ancient self-improvement practice for body, mind and spirit), is so comfortable for me in a large part because it allows me to embrace and strengthen my strengths. I am patient; yoga makes me more so. I am flexible; yoga celebrates my range of motion. I am a teacher; I’m so grateful that people come to learn yoga with me.

In writing those practices for my classes, I stumbled into understanding, in 2017, why it’s okay that for years when I’ve started writing in a blank book, I’ve left the first few pages unsullied. I always thought it was to take the pressure off—indeed, as I’ve been cleaning my bookshelves over the past week or so, I’ve discovered a number of blank books starting with three or eight or fifteen pages covered in childish scrawl, the beginning of a novel one of my children sat down to write in a fit of creative passion and abandoned shortly thereafter. I can’t bear to throw these books away—loving the intensity of the resolution it took to start a novel. Nor do I want to use these books, even though they have pages and pages that are unmarked, leaving me uncertain as to what to do with them. So they go on the shelf for now. But in my own favorite blank books, spiral-bound so they sit flat on the desk, especially the ones I use for planning yoga practices, I find that the skipped pages at the beginning are perfect for creating a table of contents. Thus, when the books fill up, I have a way of finding the information therein. And something about leaving those early pages blank does indeed make it much easier to fill up the books—with class plans, lists, notes for my novel, and every other project-launching whim or frenzy that takes over.

I believe fervently that it’s important to set resolutions with kindness—intentions or visualizations for the new chapter seem healthier than the often critical messages of resolutions. However, I’m learning for this New Year that the impulse to make sweeping changes in our lives offers many gifts. We may or may not live our way to the intended goal, but if we stay both grounded and open to the possibilities, we will learn lessons from our inclination to leap into projects and transformations for the better that range from merely fascinating to life changing.

Today’s full super moon feels, to me, like a spot on a transitional timeline that starts with the winter solstice and skips like a stone across the water with stops at Christmas, New Year’s Day, the Chinese New Year, and Groundhog’s Day. Rather than set sights on changes that will revolutionize all of 2018, I’m focusing on this period, giving myself some interesting challenges, and staying open to the discoveries that I don’t even know are possible. Wishing you and yours a safe, happy, healthy, and revealing New Year, that you might discover your own wisdom pebbles and skip them farther over the water than you ever dreamed possible. With all my love, Namaste, Rxo

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Post Blog

How is a blog like a sonnet?

One hundred fifty-five times, as of this post, I’ve answered a line-item on my to-do list and sent my musings out into the world. If that doesn’t sound so creative, but rather more like an imperative, I might echo the wisdom of Mrs. Whatsit in A Wrinkle in Time: “[The sonnet] is a very strict form of poetry… There are fourteen lines, I believe, all in iambic pentameter. That’s a very strict rhythm or meter… And each line has to end with a rigid rhyme pattern. And if the poet does not do it exactly this way, it is not a sonnet… But within this strict form the poet has complete freedom to say whatever he wants, doesn’t he?”

My blog isn’t a poem, but the parameters have offered me the delight and freedom to live my sonnet and write about it.

I set my own constraints—post on the full moon and the new moon. With input from my Writing Circle, I added the tagline “Living the Questions in Poses & Prose” and each post title is followed by a question. That tagline references both my all-time favorite quote, from Rilke, and what I like to believe is my very own savvy/soulful blend of living as a writer and yoga educator.

In the beginning, I heeded the cautions: Ninety-five percent of bloggers begin and give up on their blogs within three months. Most launch headlong into keeping a blog without a clear focus or an end-goal firmly in mind. I tried to address this by writing three full posts, a triumverate that would circumscribe the confines of my subject matter, before I posted one. With six weeks mapped out, I thought I would be able to write ahead. Sometimes this has been true.

We’ve all got sayings we’ve thought, or said aloud, should be on a tee shirt or a bumpersticker (or more recently a hashtag); knowing that something is a story for Overneathitall is a similar feeling. It’s been a pleasant surprise to find that more often than not, sometime after the last post and before the next is due, I have a “this could be a blog post” moment and the material begins to knit together in words, first in my mind, next on the page. Recently, with this year—when keeping on task has been complicated at best—winding to a close, I’ve been thinking about OverneathItAll.

  • I started my blog because I wanted an assignment. I’ve always produced when I’ve had a task to write set in front of me. Launching a blog meant I had an assignment to write, and that made me do it. How could I call myself a writer, I challenged myself almost seven years ago, if I wasn’t writing? So I wrote those entries and somewhere along the line published my novel and I stopped questioning whether or not I could call myself a writer. Mission accomplished.
  • I started my blog because in a teeny, tiny corner of my heart, I hoped I’d be that one-in-a-million writer discovered by an agent or a publisher trolling the Internet for undiscovered talent. That hasn’t happened … yet. Hope springs eternal, but it certainly can’t happen if my blog doesn’t exist.
  • I started my blog because I wanted to hear my voice, to let it get stronger and more certain. I wanted to navigate the distance between public and private life, making sense of things that happened in my world in a way that might resonate out in the world.

But here’s the real gift: I have kept writing my blog, even after some long unscheduled breaks, even when I haven’t always wanted to, even though I haven’t made a cent from it, been discovered, or figured out where it’s going, because the unexpected delight of keeping my blog has been connection. Among my regular readers are an editor I’ve only met once, an aunt I haven’t been fortunate enough to see since I was in college, friends who live abroad, and my own mother, who sometimes prints out these posts and sends them to people.

By standard metrics, a blog with less than 1,000 visitors per post (mine averages 48) is nowhere near a success. If you see ads here, WordPress is making that money. Many of my readers are most likely to comment in person, via email, or on Facebook, meaning my blog nets little accidental traffic. In a search for “overneath,” my wee blog shows up on page two. But none of that matters. Friends from junior high read and respond, new acquaintances learn a little something about my life and feel more comfortable sharing in return, one regular reader quotes me back to myself. Every blog post, each sometimes hard-wrought word, all 170,000-plus of them, has made a connection to someone. I can’t imagine a better outcome to living the questions here on these pages. Thank you.

One hundred forty-two years ago on December 4, Rainer Maria Rilke was born. His birthday ought to be National Live the Questions Day. The moon is a full frosty supermoon on December 3; while there’s a little mischief in play from Mercury, which dips into retrograde eight hours ahead of the moon’s apex. These alongside the raft of holidays and all of the joys and obligations that come with them make December a complicated month to live questions or find answers. Be kind to yourself and hug those who love you—thanks for being a part of my journey, RxoRilke Moon

Romantic Notions

What’s not to love about an unexpected turn of phrase?

The wee hours in the hospital are at once serene and riddled with noise. Machines whirl and beep, fans blow, alerts sound summoning help, feet scurry in the hallway, beds and chairs wheel by, televisions drone. At the same time, now that our emergency has been addressed and the bustle of professionals slowed, the lights dimmed in the room where my mother, Ninety-Three, has been admitted, and the pulsing adrenaline in both of our systems quieting, calm begins to descend. Ninety-Three’s night nurse comes through to check and make sure her patient is settled—in fact, Mom is already dozing, no doubt exhausted by the six hours we’ve been in the ER—when I ask my question about anticipated length of stay. I don’t really absorb the full answer, because I’m struck by the nurse’s timeframe:

“Two midnights.”

A memory from another night like this swims into my sleep-deprived brain. That time it was explained to me that Ninety-Three would need to stay at least three midnights to qualify for a rehabilitation stay. Then as now I ignored the calculated feel of satisfying some insurance requirement and found myself drawn to the poetic romance of counting by midnights.

Recently, kindly, a woman I admire called me a “collector of words.” Like a contestant bowing to receive a silk sash declaring her title, I’m honored by this beautiful designation. Aside from friendships, I can’t think of anything I’d rather collect.

“Three midnights” goes into a category of romantic notions that are highlighted for me by their unexpected appearance. In the sewing world, a notion is a button or a sequin, a zipper or a specialized tool, something that enhances the garment to which it is applied or the sewing process. Notion comes from the Latin noscere, to know or to learn. Every time I’ve heard a phrase I might call a romantic notion, it’s been a learning moment for me, often in the midst of enormous change. Is it any wonder that I hang on to the phrase that stands out?

Long before John Green made Paper Towns a well-known phrase, at least among the young people in my house, I was standing in a county office pouring over the plat map for Bethesda, MD, steeped in the go-go of purchasing a house. I traced the outline around our intended yard, a postage-stamp sized lot I would later mow with an old-fashioned reel mower, and queried the gap running from the street along the short end of the property, between the house I was already in love with and the neighbors to the south. Parallel lines ran the length of the block.

“What’s this?”

The bored clerk leaned over to look, “A paper street.”

“A what?”

A paper street is precisely what its name says, a street on paper that isn’t an actual street. The county, it seemed, reserved the right to carve an alley between our lot and the neighbors.

Maybe the clerk was chewing gum. She answered my concern with, “I really wouldn’t worry about it too much. These maps were made in the thirties. Nobody’s building any alleyways. What you wanna be concerned with is the light rail right-of-way.”

I would have welcomed the light rail, albeit the intended track was more than a mile from the house. I remember the fights over it, pro and con. Nearly twenty years after that moment in the property office, and thirteen years after we moved away, the official groundbreaking ceremony for the purple line was late last summer. It is a paper rail no longer.

Romantic notions are imbued with a sense of possibility. Whether it’s the chance that something planned for might be realized or the opening of care transitions after a length of stay, there’s a generosity of spirit I associate with these phrases that pop up at moments otherwise fraught or at least paint-splattered. Perhaps my favorite of all time was delivered by a friend of the family, a talented homebuilder who can fix anything. He was inspecting our handiwork; we had painted just about every surface of the new house.

“What do you think?”

He looked thoughtful and then smiled playfully, “It looks good, a few holidays, but good.”

“What’s a ‘holiday?’”

“You know, when your mind kind of goes on holiday while you’re working, and the brush slips a little, or you miss a spot, like behind the door.”

I knew exactly, and I spent the next hour shining a light on the newly painted walls, searching the house for holidays, my brush ready to touch up the mistakes.

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Starling and Leo enjoy a Sunday cuddle under the laundry drying rack, a visual romantic notion. I love the way Leo looks like Starling’s shadow.

The full moon finds Ninety-Three multiple midnights later through rehab, stronger, and back home in her apartment. Phew. May all be also righting itself in your world, and may you find phrases like flowers blooming between the cracks of otherwise unforgiving cement that somehow make you smile in spite of the circumstances. Thanks, as ever, for sharing. Love, Rxo

For Whom the Bell Tolls

What are your bells?

The semicolon won my heart as my very favorite punctuation mark when I learned, first studying ancient Greek as an undergraduate and then in pithy usage from essayist-physician Lewis Thomas, that it originated as the Greek question mark. “The semicolon,” Mr. Thomas explains in “Notes on Punctuation,” “tells you that there is still some question about the preceding full sentence; something needs to be added; it reminds you sometimes of the Greek usage. It is almost always a greater pleasure to come across a semicolon than a period. The period tells you that that is that; if you didn’t get all the meaning you wanted or expected, anyway you got all the writer intended to parcel out and now you have to move along. But with a semicolon there you get a pleasant little feeling of expectancy; there is more to come; to read on; it will get clearer.” The semicolon invites the reader to pause in anticipation; what’s not to love?

In recent years I became fond, too, of the ampersand. I feared it might edge out the semicolon in the run for favorite; but in a wonderful save it turns out—as savvy readers will already know—that the ampersand is in a league of its own; it’s a logogram or written character understood to have evolved from the handwritten letters “e” and “t,” or et, Latin for and. English has other logograms and, one author argues, is cultivating countless more from the shorthand arising on our mobile devices. However, it’s unlikely any will replace the ampersand in my heart.

As a proofreader, I am often given the opportunity to do far more than pause when I encounter semicolons and ampersands. In spite of my delight in the latter, I do not believe they belong in running text. As a writer, I’m likely to overuse the former; it’s so much fun to craft the phrase following that so nearly always illuminates the phrase in the fore. But whether writing or proofreading, it’s the act of considering that I have set out to address. When I stop to look up a word, consider the usage of a punctuation mark or logogram, check a subject’s name in the photo cutline against the spelling in the text, or rifle through pages checking the table of contents against the page numbers, I am fully present. I can’t do this work and think about something else. (If I get to a point where I realize I don’t know what I’m reading, then I’ve lost touch with the process, the words, line spaces, punctuation marks, and logograms. It’s time to pause and regroup.) As proofreader especially, I am both fully present and not lost in the flow.

Coming back to the present moment resonated for me as the central tenant of life in Buddhist Monk’s Thich Naht Hahn’s Plum Village as its portrayed in the documentary Walk With Me. A fan of Hahn’s writing, when I had a chance to be the captain for a local screening of the film, I thought, “why not?” Sitting in the dark theater with 100 beautiful spirits who chose to spend a rainy Monday night in September experiencing the movie, I was stunned by what is a cinemagraphic meditation. In discussions after, several people said they’re ready to pack their bags for a visit to Plum Village. Did I want to go asked one?

“Not really,” I surprised myself as well as my questioner. “The bells would drive me crazy.”

In the film every time a bell rings—every fifteen minutes and then some—everyone is expected to become still. To come back to the present. To breathe. While I love that idea—we can all use regular timeouts to breathe deeply and with intention—I value flow as well. If the words are pouring out of my fingers onto the keyboard or I’m lost in a drawing or spooning cake batter into a pan, I don’t want to be interrupted because someone else has decided that it’s time for me to pay attention. There’s so much jangly interruption in our world already. That said, I do believe it’s important to pause and pay attention; so I recognize that I have scores of personal bells.IMG_9054

As Eighteen noticed this summer, I brake for butterflies when they flutter past my car. I will pause and be utterly charmed by a flight of grackles, reporting on them later to Ninety-Three. I watch the clouds roll by and change shape. I rarely have a moon sighting without pointing it out to Fifteen. When the sky is drenched in color at sunset, I’m at the window marveling. If I hear the whistle of a train in the distance, I consider hard whatever I was thinking or saying at that moment, certain the whistle is meant as an underscore. There are work bells, too. Along with the aforementioned proofreading pauses to consider usage, a misplaced foot or a knee out of alignment can cause me to shift the entire focus of a yoga practice I’m leading. A room full of beautiful poses can take my breath away. The collection of smiles and hugs after class routinely keeps me from mentally racing on to the next task or worry.

These days, there are serious bells—for most of my life I was discomforted deeply by sirens. News stories of hurricanes, tornadoes, fires, disasters, protests and political upheavals shock and startle. I am learning to take a breath here, too, to send a silent “blessings” in the direction of the retreating ambulance or fire truck, to imagine and honor the light within the individuals whose deeds may seem so very counterproductive to my own philosophy. Being present is only a platform from which to begin; however, it is the platform, the only platform, on which I can safely stand. Some days that’s the best I can do.

What are your bells, dear reader? With gratitude & love & best wishes for the new moon, Rxo

Rabbit Reset

Which way shall I turn next?

On the first day of July, tomorrow morning as I’m writing these words, I’ll wake as I usually do, sorting and ordering the activities of the day ahead and filtering out the already dones of yesterday. The small grey kitty that somehow manages to simultaneously curl up into a tight, tiny ball and sprawl across the lion’s share of my bed will stretch and demand attention. At some point the reality that it’s first of the month will swim into focus and I’ll say, out loud, “Rabbit, rabbit.” Thus guaranteed good luck for the coming month, I’ll spring up to face the day.

Of course, there are no guarantees.

But just as finding a penny heads up, as I did yesterday on my own front step, and making a wish when returning the clasp on a necklace to the back of my neck, feel like opportune moments, sticking to the tradition I learned at nine in England feels like it can’t hurt. I rarely miss a month and, having spoken the words out loud, will generally go so far as to post “rabbit, rabbit” as my status on Facebook.

When they were really little, I taught my kids. They think nothing of “Rabbit, rabbit,” as a greeting when they wake. They’ll sleepily say it back. At one point—they were about Four and Seven—I researched the tradition and wrote a theatrical, the script for which surfaced this spring as I was cleaning out boxes in the basement. The scant theories about origins for the practice (and its many variations) wove through a princess tale in which we and every stuffed rabbit in our house all had roles to play. Like a faded old snapshot, the script brought back memories and connection to a sweet long ago.

Saying “Rabbit, rabbit” on July 1st will usher in not just a new month, but the second half of 2017. Just then, I almost wrote the second side, a phrase my yoga students will connect to practice, when a series of poses is complete on the left side, for example, and we get ready to begin the sequence again on the right. There is a balance to it—working the body equally—and there’s a marvel as well, how different one side can be from the other.

For much of the first half of 2017 I felt like I was on a water ride, sliding across a cascade of changes that included Ninety-Two’s health challenges and associated changing care needs and launching my house onto the spring real estate market. In the swirl of May, Eighteen docked at the end of his first year of college and shortly thereafter Fifteen powered through finals and flowed into summer. Whereas I’d been paddling hard, struggling to keep the boat afloat across white water and despite strong undertows, quite suddenly I landed, the oar feeling a little like it was broken off in my hands. The constant, unpredictable motion of the spring stilled.

Honestly, it took a little while for me to recognize and stop padding. I’m still puzzling about where I am. I don’t know if I’m sitting on the beach, my suit itchy with sand, or floating in a gently swirling hot tub. And while there’s always a next storm, I don’t really know if the hatches are securely battened and we’ll be fine or if there’s a ton of shoring up to do to prevent disaster. What I do know is that this is both entirely new and somewhere I’ve been before: at the end of a series of events and plans that were so consuming I couldn’t take time to consider what my world would look like after or precisely what to do next. I may not truly be in the aftermath, maybe we never really are. Yet, there’s a stillness, a chance to reconsider and relaunch. It’s a great time to clean house, physically, metaphorically, metaphysically. And with that in mind, I welcome the opportunity to reset—both for a new month and the second side of this adventure-filled year—and I’ll take all the luck with that I can get. Rabbit, Rabbit!!

Much of my world is on sale, including these lilies that bloom faithfully each June. They’re on sale because the house they’re in front of is for sale. In that spirit, for the month of July my novel is also on sale, over at Smashwords (https://www.smashwords.com/books/view/516628). If you haven’t enjoyed it yet, maybe some summer reading (half off 7.1–7.31)? xoxo

As serendipity would have it, my twice-rescheduled colonoscopy is Monday. Rather than dreading it, I see it as a part of the overall reset. As we celebrate our nation’s birthday and many have a few days off, it’s not unlike the turn of a new year—a big party with bright lights and lots of festivities, followed by a chance to begin anew. Have you thought about it? Which direction will you turn now? Rxoxo

Salon Ninety-Two

How do you know what to teach?

I am lying on my mother’s bed, a deceptively bright triangle of blue sky visible from the window to my left. It’s cold outside, but in the warm cocoon of her respite apartment I’ve shed all of my outer layers. My eyes play between the sky and the nubbly stucco ceiling. She’s stretched out, too, under a fuzzy blanket. We’ve been exchanging news—she of the curiosities of finding herself living a new chapter at ninety-two, me of my peeps and my own comings and goings, including the day’s yoga classes. I look over at Mom and I can see she’s forming a question, her own eyes reviewing the texture of the ceiling.

“How do you know what to teach?”

I stall my answer a bit, taking time to roll up onto my elbow to face her, realizing that’s distinctly uncomfortable, bunching a pillow under my ear, and finally giving up and sitting all the way up. On the way, I’ve found the analogy I needed.

“It’s like teaching someone to ride a horse.”

Ninety-Two grew up in western Nebraska, her family moving to California in the thirties. She rode her pony to high school, moved a horse across the country to Washington, DC, in her early twenties, and kept as many as five horses at any given time on the farm where I grew up. She preferred English to Western, did jumping, dressage, and trail riding. She put lots of people, from the writers filtering through the workshop in Iowa City to neighboring children on horseback for the very first time. Nobody learned from a book—whether they came outfitted in designer riding duds or jeans and sneakers—she showed them how to catch the horse with a piece of a carrot extended on a flat hand, place a halter gently around the horses nose to lead it to the barn, clean its hooves, curry its hair, add a saddle and bridle, lead the horse out, step into the stirrup, and swing a leg up and over.

My mother is nodding as I say these steps, “And then sometimes you’d have to make them go before they were ready—trot before they learned to walk, canter before they’d learned to trot.”

We smile, complicitous. “Yes, sometimes that’s true in yoga, too.”

I remember, then, a student who walked into the door of my studio, a referral from another teacher suspending her classes for the summer. “I love yoga,” she told me, filling in her registration form, “but I don’t ever want to go upside down. No headstand for me.”

“Okay,” I assured her—in all likelihood a smile playing on my face—and we chatted about her practice and the class she was joining. She went inside and unrolled her mat front and center, a position she would occupy each Wednesday morning for at least a year.

What the curly haired beauty in front of me couldn’t have known is that each yoga community and every class becomes a Sangha—even as people come and go—and has an energy of its own. That Wednesday group, whose numbers included any number of women living with multiple joint-replacements, loved headstand. So it was inevitable that the pose would arise in our rotation. The woman, I’ll call her Shakti, after the female principle of divine energy and power, would smile contentedly and settle back, taking whatever alternate pose I offered in lieu of standing on her head or even working on headstand prep. Chairs set up against the wall offered yoginis who didn’t want to take weight on their heads the opportunity to invert in “headless” headstand.

One day I noticed her watching the line of women using the chairs. I invited her to try and her community quickly chorused, “Come on over, Shakti.” “It’s easy.” “You’ll love it.” “But,” I assured her, remembering the ferocity with which she had declared she wouldn’t invert, “no pressure.” Sometimes you can see someone considering the possibilities, the thoughts playing in the air over their heads—this was one of those moments and the whole room went still as Shakti considered her options. She stood, a tiny powerhouse, “Okay? Maybe I’ll try it.”

Those waiting to use the chairs cleared a path and Shakti walked over. I showed her where to put her hands, adjusted the chairs closer to fit her, and invited her to settle her shoulders onto the blankets cushioning the chairs. That’s really the scariest part of the pose because the first time out it feels a little like you’re putting your neck in a guillotine (headless headstand is a perfect Halloween pose). “Which leg feels like it wants to go up first?”

Shakti lifted her leg and I positioned myself to guide that leg to the wall. “When you’re ready, push into your hands and give a little kick.”

She backed off, lifting her head and looking at me, nervous. “It’s okay. If not today, another time.” Again, I could see her considering the matter. Then she fitted her head back into the space between the chairs and started to swing her leg. Before either of us knew what happened, she kicked up and stuck a beautifully aligned headless headstand. The burst of cheer on her face was met with applause from the watching crowd. As so often happens, the surprise of it all brought her down sooner and more quickly than she intended. To my delight, she lifted right back up. “This. Is. Amazing.”

It wasn’t long before Shakti put weight on her head in headstand prep, stood fully in the pose against the wall, and then asked me how to balance in the middle of the room. She became one of the regulars who requested headstand in class, and she practiced it on her own at home. We often joked about the first thing she had ever said to me as her headstand practice evolved.

A short time later she walked in on a Wednesday morning with the bittersweet news that she was moving back east. “At least you’re taking your headstand with you!” I hugged her hard.

“You’ll always be the one who taught me to stand on my head when I didn’t want to.”

“You did that yourself,” I told her, not for the first time.

“I couldn’t have done it without you,” she said simply.

I roll back onto my back, once again considering the ceiling of my mother’s room. The summer I was ten, a young woman taught riding on our farm and we were up and on horseback each morning before the heat of the day. At the end of the season, we held an exhibition for our parents and my mother awarded us trophies, a statue of a horse with a plaque showing our names and the phrase, “Riding According to Susie Farrell.” Maybe it’s only now that I begin to understand that phrase. Yoga isn’t mine, but the way I share the practice is. If I could, I might give Shakti a trophy of herself in headstand according to Robin Bourjaily. This is how I might best define the oral tradition of teaching the practice that I love.IMG_7912

So many memories of horses and riders on our farm seem to be swirling through the air around my mother and me. I know my yoga life is an oddity to her, in spite of her insistence I go out the door to practice when my peeps were really little, but maybe the comparison to riding has helped her align her passion just a little more closely with mine. I stretch, shifting my attention back to the sky outside her window. “You know,” I tell her, “I think it’s probably really good for me to come lie on your bed for an hour every day. It’s relaxing.” This sentiment is mirrored by my dear friend who comes to visit often, leaving behind her burgeoning real estate practice to spend a little time chatting pleasantly. In finding this space, a place where Mom’s care requirements have shifted to the people who work in the facility, I have received an incomparable gift—these are precious moments where we are simply together, mother and daughter.

May this March full moon find you getting ready to welcome spring, in spite of the cold and snow. Thank you for the journey, Rxo

My Funny Valentine

My Funny Valentine

Wha?? You’re letting it go?

When you move, it takes time to find new light switches in the dark. Everything is so new that it’s comforting to cling to the belongings you’ve brought with you. But even the perfect car for your old life might not fit as well with the travel requirements of your new world. Thus it was that I fell distinctly out of love with the Volvo wagon, a tank of a car purchased when my peeps were small to keep us safe in the bustling traffic of Bethesda, MD. I’m something of a serial monogamist when it comes to cars. The Volvo’s replacement?

The sales lady didn’t know it, but it was love at first sight when I saw the cool vanilla PT Cruiser with 12,995 miles on the odometer. The car had been a rental in California, no doubt leased by enthusiastic visitors at LAX who thought it would be fun to drive a convertible down to Mexico. As a result, over the course of the first couple of years I owned it, the car had an array of mysterious mechanical problems we blamed on bad Mexican gas, but they were miraculously covered by the warranty and I didn’t much care. More than a few people commented on the booster seats in the back; my peeps enjoyed tooling around in the car with the top down as much as I. With the upgrade to an auxiliary plug, I stopped constantly listening to classical music, a hold-over I had adopted when pregnant and driving a respectable yuppymobile, and reconnected with the music I loved growing up.

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Our last date in the sun, Valentine’s week 2017

I drove that car more than 100,000 miles, year-around, through more than one challenging winter storm, once getting stranded by slick roads with my daughter on a wintry night when the car desperately needed new tires. I drove it as far east as Athens, Ohio, and as far west as the Omaha zoo. Together we went north to Mankato, MN, for yoga teacher training nine times in every kind of weather and made countless trips south to pick up friends from the airport … but mostly I drove it to and fro, from dropping my son at TaeKwonDo to picking up my daughter from dance, from the grocery store to the yoga studio, from home to the coffee shop for writing time. When the warranty ran out, I found a mechanic who kept it running, who seemed to understand that the car was more than transportation for me.

I retired it for pleasure use only when I bought the Orange Dart in 2013 and hauled it out of retirement when Seventeen became a licensed driver. Sometime around then, my constant spate of car troubles became blog fodder, eye-roll-worthy updates on Facebook, and the source of more than one giggle and many-a grimace when I referenced my fleet of erratic cars in conversation.

The Dart is its own story, a brief fling with an unreliable machine. In its own way it served and the lessons I learned are the stuff of another essay. We said farewell to the Dart in December and hello to the handsome new Beetle named Mercury on the last day of 2016. A new love for a new year meant I had one too-many convertibles. What to do with the Cruiser?

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With just 1542 miles on it, Mercury rolled right into my heart … our first date: the Starbucks drive through on 12.31.16. And yes, it was warm enough to test it with the top down and the heated seat on!

The weather turned freakishly warm in February. I got the car out, mindful that it needed to be driven, and took it to the full service car wash. Every time I drove that car it felt like my escort, a loyal steed, my chariot of nuts and bolts. As if giving my squire voice, one of the car wash employees opened the passenger door, crawled halfway in, and interrupting himself while inquiring what they might do for me announced, “You are SO beautiful.” I told him he had just made my day as I left my baby in his care.

When the top dried in the sun, I dropped it for the last time and drove, enjoying the sunshine and remembering so many happy trips. Once, after a successful black-belt test, when Seventeen was just Ten, the sun was setting in fiery reds and dark clouds scattered fat raindrops on our victory lap home. I remember Ten testing his voice, yelling “promotion skies,” his celebration the last of his post-test adrenaline. His sister in her cow-spotted booster seat pumped much tinier fists, her fine blonde hair blowing in the breeze.

On this, our last date, I parked the clean Cruiser by the lake near my house and took more pictures of it than I needed. Top up, top down, doors open and closed. My favorite shows water just beyond the dash as though the car might actually be about to launch, Chitty Chitty Bang Bang’s long lost cousin.

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Chitty Chitty Bang Bang’s long-lost cousin–I do believe my Cruiser could take me everywhere!

The next day I posted my car on Craig’s List, photos, TLC needed, and all. Within twenty minutes I had a very interested potential buyer. By the time I went to bed there was a slew of inquiries, but the very interested buyer was scheduled to come the next afternoon and everyone else would have to wait.

In a series of events that underscores my faith in the universe, the buyer, a couple in fact, had lost a PT Cruiser in an accident just a week before. When they arrived in their rental to look at my car, they had just picked up their insurance settlement. My car sat waiting for them, glistening in the sun on my driveway. Although I showed them it’s ailments and infirmities, they were focused on the positives—it was their favorite car, a great color, and they had never owned a convertible. The new tires and a new battery meant they weren’t perturbed by the broken glove box or quirky back hatch. They drove it for about five minutes, arrived back and announced, “sold.” We shook hands on the deal and they went off to procure cash.

While I waited for them, I took the plates off the car and worked on cleaning out my garage. The youngest of four neighboring children arrived, a little girl in her Girl Scout sash, her father trailing her and dragging a wagon full of cookies behind him. I never buy Girl Scout cookies because once I start eating them I can’t stop (what’s in those cookies?), but the day felt like a day for spreading good will, so I bought two. My car’s new owners arrived and they bought four boxes of cookies on the way in the door to sign the paperwork. In a manner of minutes I had a brand new-to-me pile of cash and they drove off, the husband trailing his happy wife in her new-to-her convertible. I wonder if she ate any cookies on her way? A fan of snacking and driving, I certainly would have.

Happy New February Moon—with Valentine’s Day in the rearview mirror and spring glimmering around the corner. May you find that all is well in your world as you launch new explorations. As ever, Namaste, Rxo

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