What did KatyDid?
After the before and before the after, there’s between. There’s during, too, but during doesn’t pinch the way between does. During is easy to miss, caught up in the doing of it all; between is easy to mess up and a place it’s all too possible to get stuck.
In a world of hurricane travesties, political miasma, raging wildfires, and terrible disease, whining about being wedged in the between isn’t an option. Nevertheless, like Anaïs Nin, I write to “taste life twice.” Even when the moments are bitter, it’s through the retrospective that I can begin to learn something that maybe just maybe makes the next between a little sweeter.
Mid-summer, my Craig’s List ad finally netted a customer for the gorgeous china cabinet in the dining room. I so liked the people who disassembled the whole thing carefully and, with great padding and not inconsiderate effort, loaded it into their truck and drove it away. In the wake of another large item’s exodus from our household, Fifteen opined that it was time to paint the dining room.
Painting the dining room was top of my list when we moved into the house a dozen years ago. The color palate throughout the house made me feel old, but the dining room was by far the worst, beige above the chair rail, mottled deep blue below. We are a family that sits together in the dining room to eat, that hosts small and large dinners, that pushes the table to the side of the room and invites people in for a buffet. Through every occasion, the colors I loathed remained.
Fifteen enjoys removing wallpaper, and that’s where we started, stripping the painted paper that was more plastic than paper from the thirty-inch span below the chair rail. To our dismay, removing the deep blue revealed a hideous bright blue paint that wasn’t fully applied, as though someone thought better of the color only after it was mostly slathered on the wall. To our further dismay, not one but two showing requests beeped onto my phone when we were in the midst of removing the paper, the torn curls all over the floor and sticking to our pants.
During the dining room renovation: Fifteen left for a week away at the National Scholars Institute; Eighteen went to and arrived home from work and took his first solo road trip; I left for a weekend of yoga teacher training; and groups viewing our house were greeted by a “Please pardon the mess” sign.
Our smallest cat, Katy, was fascinated by the air-return opening where I had removed the grill. I blocked it variously with a box, paper, the drop cloth. She pawed at these, determined to inspect the mysterious hole in the wall. A couple of times I scolded her away from it, in the same “angry mommacat tone” that detours her from going into my closet. Then I was painting. The cats paraded through—Leo playing slip-n-slide in the drop cloth plastic, Starling running her usual commentary about all of the unfamiliar activity, and Katy finding any kind of trouble she could, jumping onto the table, inspecting the open paint can, and tearing at the paper covering the air return. I scolded her, turned back to my paint, and wouldn’t have even heard her as she quietly slipped under the paper and into the dark beyond, but turned to look just in time to see her tail disappear.
Just like that, we arrived in the between.
Eighteen’s response, even as I was shining a flashlight into the hole, wondering how far it might go, was to race to the basement to figure out where we could take the ductwork apart. Then he brought a dangle toy, something we use to lure kitties out of the garage. Katy, looking miffed, haughty, and scared as only a not-quite seven-pound cat who thinks she’s in charge can look, reappeared briefly but slipped away when I reached for her. I discovered then the air-return duct dropped down more than a foot, and the pathway in and down was not as large as the opening suggested. As I sat quietly and watched, fishing with the toy and waiting to see if she would get herself out, it became clear to me that she both wanted back out, badly, and hadn’t yet figured out the maneuver that would allow her to escape. Occasionally coming close enough so she was illuminated by the light of the flashlight, she blinked up at me.
This cat arrived in our lives a tiny kitten, one of a pair of litters of barn kitties of very young mothers. Early on one mother stopped nursing and the other was making a gallant attempt to feed both broods. We had picked Katy out just a couple of weeks before, but I wasn’t yet expecting the phone call to bring her home until she was eight weeks. “Come get her,” urged the landowner’s voice on the phone, “one died of starvation and an owl got another. I’m worried your kitten won’t survive.”
Armed with kitten formula and kitten litter, we brought her home with trepidation. We named her KatyDid, both because she was as tiny as a bug and because that way when she was naughty we could say, “Who did?” “KatyDid.” Over the years we’ve added the ungrammatical but fun to say, “What did KatyDid?”
And while she only grew up to be tiny in stature, she is large in personality and adventure. Thus it wasn’t a surprise to find myself looking at her delicate face peering up at me, the haughty turned all worry and struggle, especially when the air-conditioning cycled on.
Outwardly I was saying soothing things, to Katy, to Eighteen. Inwardly I was calculating the options—which professional to call, whether to try taking things apart myself, how long she could stay there. I watched her attempt to climb out a couple of times and realized that she needed leverage. “Go to work,” I told Eighteen, who was still contemplating disassembling the ductwork, “I’ve got this.”
“Okay,” he said, his relief at not having to call-in for a feline emergency was palpable. “I was wondering how I was going to explain being late.”
In spite of intense minimalizing, I’ve held on to the children’s building blocks, a wonderful wooden set that gave rise to all manner of temples and sculptures when they were little. I went to the basement and selected enough to build a staircase, remembering that when we had the ductwork cleaned, it had been full of twenty-year-old chunks of wood and other construction debris. I worked each block through the narrow opening and set them up in what I hoped was a staircase for Katy. Soon, I saw her face at the return. And then she was higher, her back paws standing on the block stairs, her front paws clambering for a foothold. She got the paw nearest me up and over the ledge, back into the room. Her other front paw seemed stuck, and after several attempts to squeeze her shoulders through, pushing as if to jump with her back paws, she instead opted to roll her spine out of the opening toward me, freeing her front paw just in time to turn, gain purchase on the floor and struggle her hips and hind legs out of the opening. I reached for her and she ran, so I left her alone, cleared out the blocks and quickly screwed the air return grill back into place. I knew Katy would want to “talk” about her trauma, so I finished painting for the day and took my lunch up stairs. Katy, nearly always affectionate on her own terms, immediately curled up in my lap and stayed for nearly an hour.
The between was over but the during went on longer, through painting above the chair rail and then painting the chair rail itself. With the only very recent arrival of a new rug and a tablecloth, the dining room is finally in the after.
The larger between—the one in which we are waiting for the right buyers to walk in and realize that their family’s stories can bloom in the space so that our stories may move elsewhere—carries on.
Living so very much in the large between has been a challenge in many ways, not the least of which is to writing regularly. This story has been waiting for a couple of months, but then again, maybe it was waiting until the rug and tablecloth arrived, just this past weekend. Thank you for connecting with me, with the corn moon that was full recently, and with your own betweens. My favorite part of posting to overneathitall is the way that it closes those gaps between us some. With much love, Rxo